‘American Idiot’ was bold. Walking into QUT’s Gardens Theatre, there was an electrifying buzz in the air. The anticipation of Queensland’s amateur…
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‘Flood’ was atmospheric. As part of Brisbane’s innovative Anywhere Festival, ‘Flood’ by Chris Isaacs was the encapsulation of the festival’s mantra that…
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‘Mettle, Moxie & Melody’ was intimate. Nestled within the vibrancy of Brisbane’s Fortitude Valley, ‘Concept’ – a small versatile venue seating just…
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‘Ladies in Black’ was bonza. For their first production of 2019, the Ipswich Musical Theatre Company (IMTC) presented a vivid picture of…
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‘Little Shop of Horrors’ was ambitious. With an intimate cast, small band and limited need for technical resources, ‘Little Shop of Horrors’…
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‘Avenue Q’ was hilarious. Walking through the rather dated façade of USQ’s Toowoomba campus you wouldn’t expect to find one of the…
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‘Christmas Day’ was engaging. There is something inexplicably wholesome about good Australia Day theatre, and ‘Christmas Day’ by Mates Theatre Genesis, with…