‘Les Miserables’ // Lynch & Paterson
‘Les Miserables’ was extraordinaire. When the first swell of the orchestra struck up the impressive overture of ‘Les Misérables’, I knew I was in for…
‘Les Miserables’ was extraordinaire. When the first swell of the orchestra struck up the impressive overture of ‘Les Misérables’, I knew I was in for…
‘Who’s Afraid of Virginia Woolf?’ was eviscerating. Love and hate, desire and disgust, history versus biology and truth versus illusion. State Theatre Company South Australia’s…
‘PUFFS’ was bewitching. Magic and wonder are in no short supply at Spotlight Theatre this year, and after pushbacks from the pandemic-who-shall-not-be-named, the Halpin Auditorium…
‘Alice in Wonderland’ was mad. The school holidays are always a perfect time to introduce children to the delightful world of theatre. With such a…
‘The Comedy of Errors’ was risible. The past two years have been challenging for many people, not least those in the arts industry. Constant closures…
‘Defying Gravity’ was iconic. Musical theatre is a blessing in disguise in so many ways. It’s incredibly powerful watching stories unfold on stage that are…
‘360 Allstars’ was sick. Taking the streets to the stage, ‘360 Allstars’ is an epic variety show that knows how to turn it up for…
‘The Kaye Hole’ was tantalizing. Stepping into QPAC’s Cremorne Theatre for Reuben Kaye’s ‘The Kaye Hole’ was like stepping back in time to an old…
‘Jersey Boys’ was rockin’. As COVID ravages its way across the country there is no better time to step out of the present and journey…
‘The Wind in the Willows’ was halcyon. When we think of theatre, we often envision crowds gathered watching a lighted stage and red, velvet curtains.…
Please confirm you want to block this member.
You will no longer be able to:
Please note: This action will also remove this member from your connections and send a report to the site admin. Please allow a few minutes for this process to complete.