‘Parasocial Parallex’ // Anywhere Festival
‘Parasocial Parallax’ was addictive. Andrew Gillanders and the creative team behind ‘Parasocial Parallax’ have driven headfirst into a new age of theatre. ‘Immersive theatre’ is…
‘Parasocial Parallax’ was addictive. Andrew Gillanders and the creative team behind ‘Parasocial Parallax’ have driven headfirst into a new age of theatre. ‘Immersive theatre’ is…
‘Toy Symphony’ was playful. Ad Astra is an unusual venue situated in the back of a warehouse and trapped right in the middle of Brisbane;…
‘Summer Wonderland’ was spirited. We can all do with some extra festive cheer this year, and who better to provide it than an Aussie dropkick,…
‘The Long Pigs’ was hog-rrific. One wouldn’t think that by combining horror and circus you’d achieve clowning comedy gold, but in the horrific and hilarious…
‘Throne’ was mutinous. Stepping down the rabbit hole of the heritage-listed Spring Hill reservoir is like entering Alice’s Wonderland, and the last thing you’d expect…
‘Sweeny Todd: The Demon Barber of Fleet Street’ was sharp. Attend the tale of Sweeney Todd, a grim and gruesome venture from Stephen Sondheim. An…
‘The Virtuous Burglar’ was madness. Dario Fo’s absurd comedy ‘The Virtuous Burglar’ at Anywhere Festival Brisbane was not what I was expecting. What a delight…
‘The Girl on the Moon’ was far-out. Brisbane artists Aoife Kissane and Matias Nunez’s teenage love story, ‘The Girl on the Moon’, made its Earth-side…
‘Sweet Charity’ was fierce. Tucked away in Southport, the Gold Coast Little Theatre (GCLT) was bustling with life for the opening night of ‘Sweet Charity’.…
‘Arterial’ was unifying. The Ron Hurley Theatre served as a home for Na Dijnang to present their circus theatre production ‘Arterial’ as a part of…
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