‘Mistero Buffo’ was wayfaring.
Presented at Metro Arts, ‘Mistero Buffo’ takes a step into the absurd to explore the role of the storyteller across the ages.
Just over one year after its premiere, ‘Three 2.0’ is back – this time at the Brisbane Powerhouse. The show features new…
The London Symphony Orchestra (LSO) will make a triumphant return to Australia in April-May 2023 with internationally revered conductor, Sir Simon Rattle.
‘Mistero Buffo’ was wayfaring.
Presented at Metro Arts, ‘Mistero Buffo’ takes a step into the absurd to explore the role of the storyteller across the ages.
‘Batshit’ is crazy.
Brisbane Festival and Metro Arts’ ‘Batshit’ is a confrontational non-conventional piece of theatre that is sure to challenge audiences to their very core.
‘Guttered’ was striking.
Like many disabled people, ‘Guttered’ didn’t fit into the mould created by non-disabled people so neither should a review of it. Brisbane Festival and Restless Dance Theatre’s ‘Guttered’ used movement and dance to give audiences the “chance” to experience and understand disability.
‘Tiddas’ was Jacaranda.
La Boite Theatre, QPAC and Brisbane Festival’s latest production of ‘Tiddas’, in some ways, is a theatrical embodiment of a Welcome to Country.
‘Twelve Angry Men’ was justified.
In the eyes of the law, everyone is to be seen as innocent until proven guilty, however, Ghostlight Theatre Co’s latest production of ‘Twelve Angry Men’ shows that sentiment is anything but.
‘All Fired Up’ was nostalgic.
If you’re looking for a fun live show with energetic dancing and catchy music, or if you grew up in the 80s, ‘All Fired Up’ is the show to catch.
‘Girl From The North Country’ was poetic.
Reminiscent in style and feel of the family dramas of Arthur Miller, John Steinbeck, Eugene O’Neill and Tennessee Williams, Conor McPherson’s ‘Girl from the North Country’ is a beautifully written story told with heart.