‘Hair’ was raw. Fifty years after the original Australian production of ‘Hair: The American Tribal Love-Rock Musical’, audiences flocked to the Outdoor…
‘X-Stacy’ was X-ceptional. ‘X-Stacy’, the play many drama students’ study in high school, yet is so rarely performed outside of a school…
‘Jekyll & Hyde’ was fearsome. Nineteenth century London – a world in the midst of technological and social evolution. It is into…
What’s your biggest fear? Snakes? Spiders? Confined spaces? What about complete and total darkness? Maybe it’s a combination of these elements? It may…
‘Kelly’ was revisionary. The Ned Kelly mythos is pervasive in Australian culture and has been for over a century. Indeed, the first-ever…
What’s your biggest fear? Snakes? Spiders? Confined spaces? What about complete and total darkness? Maybe it’s a combination of these elements? It may…
‘Carmouflage Rose’ was rocking. Showing that it doesn’t matter if you’re working the stage at ‘Groovin the Moo’, reworking a Kanye West…
‘Mzaza’ was spellbinding. The Spiegeltent was packed to the rafters on Sunday afternoon and electric energy pulsated throughout room as the audience…
‘1000 Doors’ was eye-opening. Alexander Graham Bell once said that “when one door closes, another opens”; to spark hope in individuals to…
‘Flight’ was turbulent. Taking thrill-seekers on the flight of a lifetime, Realscape Productions, in association with DARKFIELD, are back with a new…
‘Symphony For Me’ was majestic. The weather in Brisbane in September can sometimes be quite unpredictable, but the heavens were clear for…
‘Tia Gostelow’ was hypnotising. In the intimate venue of the Courier-Mail Spiegeltent on a Saturday afternoon, Tia Gostelow performed her first-ever, all-ages…