Reviews

‘Mistero Buffo’ was wayfaring.

Presented at Metro Arts, ‘Mistero Buffo’  takes a step into the absurd to explore the role of the storyteller across the ages.

‘Batshit’ is crazy.

Brisbane Festival and Metro Arts’ ‘Batshit’ is a confrontational non-conventional piece of theatre that is sure to challenge audiences to their very core.

‘Guttered’ was striking.

Like many disabled people, ‘Guttered’ didn’t fit into the mould created by non-disabled people so neither should a review of it. Brisbane Festival and Restless Dance Theatre’s ‘Guttered’ used movement and dance to give audiences the “chance” to experience and understand disability.

‘Tiddas’ was Jacaranda.

La Boite Theatre, QPAC and Brisbane Festival’s latest production of ‘Tiddas’, in some ways, is a theatrical embodiment of a Welcome to Country.

‘Twelve Angry Men’ was justified.

In the eyes of the law, everyone is to be seen as innocent until proven guilty, however, Ghostlight Theatre Co’s latest production of ‘Twelve Angry Men’ shows that sentiment is anything but.

‘All Fired Up’ was nostalgic.

If you’re looking for a fun live show with energetic dancing and catchy music, or if you grew up in the 80s, ‘All Fired Up’ is the show to catch.

‘Girl From The North Country’ was poetic.

Reminiscent in style and feel of the family dramas of Arthur Miller, John Steinbeck, Eugene O’Neill and Tennessee Williams, Conor McPherson’s ‘Girl from the North Country’ is a beautifully written story told with heart.

‘We Will Rock You’ was flash. In 1973, Queen burst into the unsuspecting music scene. From that moment on, John Deacon, Roger…

‘Holding Achilles’ was transformative.

QPAC’s Playhouse stage was transported into the grandiose mythical world of ‘The Illiad’ for Dead Puppet Society and Legs On The Wall’s ‘Holding Achilles’. 

Review: ‘School of Rock’ was youthful. Toowoomba Choral Society did well to inject comedy and general fun into their latest production, ‘School of Rock’.