‘Hair’ was raw. Fifty years after the original Australian production of ‘Hair: The American Tribal Love-Rock Musical’, audiences flocked to the Outdoor…
‘X-Stacy’ was X-ceptional. ‘X-Stacy’, the play many drama students’ study in high school, yet is so rarely performed outside of a school…
‘Jekyll & Hyde’ was fearsome. Nineteenth century London – a world in the midst of technological and social evolution. It is into…
What’s your biggest fear? Snakes? Spiders? Confined spaces? What about complete and total darkness? Maybe it’s a combination of these elements? It may…
‘Fangirls’ was extra. Uniting generations with a dose of nostalgia and flashbacks to their first heartbreak, ‘Fangirls’ has quickly become one of…
‘The Actress’ was theatrical. Playwright Peter Quilter has built a career by his rare talent to write to a particular character demographic,…
‘I Left My Heart In Highgate Hill’ was rockin’. The Brisbane Festival boasts a wide variety of music, theatre, dance, and performances…
‘Lydia Fairhall and the Black She Oaks’ were mesmerising. It’s a warm, smokey, but incredibly bearable Sunday evening and Lydia Fairhall and…
‘Mamma Mia’ was super (trouper). With Americans for leads, Brits in support roles, Swedish songs, and performed on an Australian stage, if…
‘Justin Townes Earle’ was honest. The Courier-Mail Spiegeltent hosts Justin Townes Earle as he presents his eighth album, titled and cheekily bestowing…
‘From Darkness’ was engrossing. In a world where technology makes connections seem simple, feeling a sense of belonging with family, and being…
‘Girlpool’ was underwhelming. The Brisbane Festival has established itself as a cultural icon, bringing local, national and international artists together for an…