‘Unconditional’ was revealing.
Theatre like this is life-affirming: it reflects ourselves in all our glory. Flawed, lost and constantly seeking love from those around us. It was all at once painful and beautiful.
-
-
‘Singin’ In The Rain: In Concert’ was glistening.
Prospero Art’s ‘Singin’ in the Rain: In Concert’ was a testament to how powerful simplicity and focus on performance can be in theatre. The stripped-back presentation allowed the substantial talent of the cast and musicians to shine through.
-
‘Call Girls’ was buzzing.
If you’ve ever worked in a call centre or answered phones for a living, you’ll feel right at home with this new production, presented as part of Brisbane Fringe.
-
‘The Call & The Human Voice’ was soulful.
Opera Queensland has produced a cutting-edge performance that challenges what audiences think opera can be and gives a momentous opportunity for stories of true humanity to be told on a grand scale.
-
‘Mistero Buffo’ was wayfaring.
Presented at Metro Arts, ‘Mistero Buffo’ takes a step into the absurd to explore the role of the storyteller across the ages.
-
‘Holding Achilles’ was transformative.
QPAC’s Playhouse stage was transported into the grandiose mythical world of ‘The Illiad’ for Dead Puppet Society and Legs On The Wall’s ‘Holding Achilles’.
-
‘An Ideal Husband’ was vivacious. What do a rubber John Howard mask and Oscar Wilde have in common? On the surface, not…
-
‘Three 2.0’ was alive. The acclaimed contemporary dance company, Australasian Dance Collective took over the Brisbane Powerhouse to present their acclaimed returning…
-
‘Robyn Archer: An Australian Songbook’ was poignant. When the very presence of Australian theatre icon, Robyn Archer, is enough to provoke cheers…
-
‘Club Extimacy’ was intimate. With a floor littered with empty cups and haphazard caution tape sectioning off visitors, audiences attending Black Box Collective’s…