‘Mistero Buffo’ was wayfaring.
Presented at Metro Arts, ‘Mistero Buffo’ takes a step into the absurd to explore the role of the storyteller across the ages.
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‘Holding Achilles’ was transformative.
QPAC’s Playhouse stage was transported into the grandiose mythical world of ‘The Illiad’ for Dead Puppet Society and Legs On The Wall’s ‘Holding Achilles’.
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‘An Ideal Husband’ was vivacious. What do a rubber John Howard mask and Oscar Wilde have in common? On the surface, not…
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‘Three 2.0’ was alive. The acclaimed contemporary dance company, Australasian Dance Collective took over the Brisbane Powerhouse to present their acclaimed returning…
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‘Robyn Archer: An Australian Songbook’ was poignant. When the very presence of Australian theatre icon, Robyn Archer, is enough to provoke cheers…
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‘Club Extimacy’ was intimate. With a floor littered with empty cups and haphazard caution tape sectioning off visitors, audiences attending Black Box Collective’s…
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The Anywhere Festival has officially concluded for 2022 with its annual presentation of their Anywhere Awards, held at Elements Collective. This year…
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‘Once Upon A Time In Sacramento ’ was alluring. Abadon Productions stepped into the mysterious, glamorous world of golden-age era show-business with…
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‘Tainted’ was efflorescent. Entering the Paint Factory in Yeronga feels like entering somewhere you shouldn’t be allowed, and ‘Tainted’ tells the stories…
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‘Putting on the Mask’ was viscerous. Claire Fitzpatrick’s new performance-art piece, ‘Putting on the Mask’, staged as a part of Anywhere Festival,…