The Anywhere Festival has officially concluded for 2022 with its annual presentation of their Anywhere Awards, held at Elements Collective. This year…
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‘Once Upon A Time In Sacramento ’ was alluring. Abadon Productions stepped into the mysterious, glamorous world of golden-age era show-business with…
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‘Tainted’ was efflorescent. Entering the Paint Factory in Yeronga feels like entering somewhere you shouldn’t be allowed, and ‘Tainted’ tells the stories…
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‘Putting on the Mask’ was viscerous. Claire Fitzpatrick’s new performance-art piece, ‘Putting on the Mask’, staged as a part of Anywhere Festival,…
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‘Throne’ was mutinous. Stepping down the rabbit hole of the heritage-listed Spring Hill reservoir is like entering Alice’s Wonderland, and the last…
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‘The Girl on the Moon’ was far-out. Brisbane artists Aoife Kissane and Matias Nunez’s teenage love story, ‘The Girl on the Moon’,…
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‘Arterial’ was unifying. The Ron Hurley Theatre served as a home for Na Dijnang to present their circus theatre production ‘Arterial’ as…
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‘RUNT’ was gigantic. Runt, the character, gives a voice to the little ones, the ones forgotten, the ones who fight tooth and…
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‘Much Ado About Nuthink’ was celebratory. No matter what generation you come from, almost every Australian has a local pub. Drinking culture…
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‘Peter Pan’ was daring. JM Barrie’s classic tale of Neverland, swashbuckling pirates and a boy who never grew up, flew into Beenleigh…