‘Once Upon A Time In Sacramento ’ was alluring. Abadon Productions stepped into the mysterious, glamorous world of golden-age era show-business with…
Ellie Waddingham

Ellie Waddingham
Ellie Waddingham is a queer theatre-maker currently residing in Meanjin, studying a Bachelor of Fine Arts (Acting) at QUT. They specialise in Shakespeare, which makes old people very interested in them and young people very afraid. In their spare time, you can find Ellie fangirling over women in history or reorganising their crystal collection.
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‘Tainted’ was efflorescent. Entering the Paint Factory in Yeronga feels like entering somewhere you shouldn’t be allowed, and ‘Tainted’ tells the stories…
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‘Putting on the Mask’ was viscerous. Claire Fitzpatrick’s new performance-art piece, ‘Putting on the Mask’, staged as a part of Anywhere Festival,…
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‘Throne’ was mutinous. Stepping down the rabbit hole of the heritage-listed Spring Hill reservoir is like entering Alice’s Wonderland, and the last…
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‘The Girl on the Moon’ was far-out. Brisbane artists Aoife Kissane and Matias Nunez’s teenage love story, ‘The Girl on the Moon’,…
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‘Arterial’ was unifying. The Ron Hurley Theatre served as a home for Na Dijnang to present their circus theatre production ‘Arterial’ as…
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‘RUNT’ was gigantic. Runt, the character, gives a voice to the little ones, the ones forgotten, the ones who fight tooth and…
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‘Much Ado About Nuthink’ was celebratory. No matter what generation you come from, almost every Australian has a local pub. Drinking culture…
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‘Peter Pan’ was daring. JM Barrie’s classic tale of Neverland, swashbuckling pirates and a boy who never grew up, flew into Beenleigh…
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‘Rabbit Hole’ was intimate. Ad Astra has opened the doors of their hole-in-the-wall theatre to welcome audiences to ‘Rabbit Hole’. Written by…