‘Cat Person’ was uncomfortable. Based on the 2017 New Yorker short story written by Kristen Roupenian, ‘Cat Person’ is an exploration of …
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‘Crazy F*cking B*tches’ was unapologetic. A non-narrative physical theatre piece, ‘Crazy F*cking B*tches’ is radical in both it’s form and it’s content …
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‘Pallas Sister Rising’ was devastating. A heartbreaking exploration of a dying friendship, ‘Pallas Sister Rising’ will leave audiences with a sinking heart …
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‘Doghole’ was outrageous. Wilson’s writing is outrageously humorous and incredibly intelligent. Every character is completely alive, no matter how small and no …
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‘Zagazig’ was dreamlike. Curtain World’s original production takes you on a magical journey through a vibrant and lopsided Brisbane. Read the review …
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‘White China’ was generational. Brisbane is home to many intergenerational families, home to many cultures and, of course, highly prone to flooding. …
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‘Bakersfield Mist’ was energetic. Art, authenticity and alcohol are the hot topics at Ad Astra as they bring to life Stephen Sach’s …
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‘Nu Disco!’ was lively. Directed by Laura McAloney, ‘Nu-Disco!’ is a fun and fast show with an intense technical aesthetic and a witty …
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‘Revolt. She Said. Revolt Again.’ was uncomfortable. With direction by Hannah Barr, Revolt. She Said. Revolt Again. was abrupt and graphic. A …
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‘Macbeth’ was bold. With a strong aesthetic component and dedication to the language, QSE’s first staging of ‘Macbeth’ was a spirited success.
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