‘The Father’ was unforgettable. There is a common thread woven throughout the contemporary plays that have emerged from France in the twenty-first…
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‘Flashdance’ was flashy. There is no way to say this lightly: the script for ‘Flashdance’ is bad. The billing for this show…
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‘Kelly’ was revisionary. The Ned Kelly mythos is pervasive in Australian culture and has been for over a century. Indeed, the first-ever…
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‘The Actress’ was theatrical. Playwright Peter Quilter has built a career by his rare talent to write to a particular character demographic,…
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‘Much Ado About Nothing’ was inviting. ‘Much Ado About Nothing’ is one of Shakespeare’s most beloved comedies. This is possibly because it…
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‘The Addams Family’ was a scre-am. Before one can appreciate the Gold Coast Little Theatre’s production of ‘The Addams Family’, it is…
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‘Murderer’ was arresting. To counterbalance its previous production (the excellent and experimental ‘The Penelopiad’) Javeenbah Theatre Company is currently offering the far…
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Community ReviewsReviews
‘Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean’ // Tweed Theatre Company
‘Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean’ was surprising. Gold Coast theatre-goers unfamiliar with this script may be…
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‘Away’ was histrionic. Playwright Michael Gow is both the angel and the devil on the shoulders of Australian theatre, responsible for some…
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‘Challenges’ was diverse. An in-house one act play festival can easily be seen as the least important event on a Theatre’s calendar.…
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