‘The Father’ was unforgettable. There is a common thread woven throughout the contemporary plays that have emerged from France in the twenty-first …
Bradley Chapman

Bradley Chapman
Bradley is one of Australia's leading Drama educators. His prolific work regarding the impact of theatre on the welfare and academic outcomes of teenage boys has inspired Drama teachers across the country who have described Brad's work as 'changing the face of Drama and Theatre education nationally'.
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‘Flashdance’ was flashy. There is no way to say this lightly: the script for ‘Flashdance’ is bad. The billing for this show …
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‘Kelly’ was revisionary. The Ned Kelly mythos is pervasive in Australian culture and has been for over a century. Indeed, the first-ever …
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‘The Actress’ was theatrical. Playwright Peter Quilter has built a career by his rare talent to write to a particular character demographic, …
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‘Much Ado About Nothing’ was inviting. ‘Much Ado About Nothing’ is one of Shakespeare’s most beloved comedies. This is possibly because it …
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‘The Addams Family’ was a scre-am. Before one can appreciate the Gold Coast Little Theatre’s production of ‘The Addams Family’, it is …
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‘Murderer’ was arresting. To counterbalance its previous production (the excellent and experimental ‘The Penelopiad’) Javeenbah Theatre Company is currently offering the far …
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Community ReviewsReviews
‘Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean’ // Tweed Theatre Company
‘Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean’ was surprising. Gold Coast theatre-goers unfamiliar with this script may be …
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‘Away’ was histrionic. Playwright Michael Gow is both the angel and the devil on the shoulders of Australian theatre, responsible for some …
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‘Challenges’ was diverse. An in-house one act play festival can easily be seen as the least important event on a Theatre’s calendar. …
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