‘MUD’ // Salad Days Collective
‘MUD’ was dirty. Salad Days Collective’s staging of María Irene Fornés’ 1983 text challenges audiences with an exploration of class, disabilities, and how co-dependence can…
Author: Harrison Mills
Harrison Mills (he/him) is a Meanjin-based theatre-maker, writer and performer currently undertaking a Bachelor of Advanced Humanities (Honours). They engage in theatrical practices with a focus on the immediate and intimate nature of live performance and storytelling.
‘Macbeth’ // La Boite Theatre
‘Macbeth’ was haunting. La Boite Theatre kicks off its significant 100th-year staging work with a re-telling of Shakespeare’s tragedy of ambition and cyclical violence. Maximalist,…
‘Horizon’ // Playlab Theatre
‘Horizon’ was exposing.
Written by Maxine Mellor and directed by Ian Lawson, Horizon is an Australian Gothic piece interrogating the current Aust…
‘Dark and Ridley: Dark Vanilla Jungle’ & ‘Tonight with Donny Stixx’ // The X Collective
‘Dark & Ridley’ was exploitative. The X Collective’s opening to their 2024 season sets to tackle the dark sides of the human psyche with Wayne…
‘Great Expectations’ // Villanova Players
‘Great Expectations’ was grand.
Villanova Players’ production of Charles Dickens’s 'Great Expectations' is a grand admirable undertaking fo…
‘Top Girls’ // Ad Astra
‘Top Girls’ was multifaceted.
The price of being a successful career woman is layered with sacrifice. Ad Astra’s latest production explores t…
‘Love Labour’s Lost’ // Footlights Theatrical Inc.
'Love Labour's Lost' was rambunctious.
Get ready for a contemporary Shakespearean delight with Footlights Theatrical's sensational production of '…
‘Things I Know To Be True’ // Brisbane Arts Theatre
‘Things I Know To Be True’ was prickly. The latest work staged with the iconic Brisbane Arts Theatre, ‘Things I Know to Be True’, is…
‘Train Lines’ // Lara Qualtrough
'Train Lines' was breezy
If you crave a heart-warming meet-cute etched in the Australian culture of public transport and idle daydreams, the curren…