‘Sometimes It’s Hot Like The Sun’ was kaleidoscopic. It’s the apocalypse, but not as you know it, in this psychedelic, digressive, and…
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‘Forgery’ was innovative. Human movement meets machine, and improvisation meets algorithm in ‘Forgery’, the latest offering from contemporary dance company, Australasian Dance…
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‘Happy-Go-Wrong’ was commanding. Movement, music and candid storytelling combine in Andi Snelling’s impressive and visceral one-woman show. Undercover Artist “exists to profile…
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‘In The Dark’ was atmospheric. In the eerie underground venue of Spring Hill Reservoir, the audience was plunged into total darkness, the…
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‘A Very Important Meeting’ was eccentric. Big Fork Theatre reach out, circle back, and touch base with audiences for an office themed…
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‘Awakening’ was haunting. Performing a fiercely contemporary adaptation of a classic text, Good Time Theatrics bring urgency and gravity to their most…
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‘Making Money’ was capital. Brisbane Arts Theatre has gone all out with glittery design, eccentric characters and a big cast in a…
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‘Elektra/Orestes’ was electrifying. A broken royal family, a post-dramatic flip, and a whole lot of blood. These were key ingredients in The…
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‘This Wide Night’ was visceral. In the aptly grimy and urban venue of BackDock Arts, A Moveable Theatre delivered a gut-wrenching and…
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The ‘Brisbane Improv Festival‘ was lively. Quick quips, motley teams and barrels of laughs were all on show at Big Fork Theatre’s…
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