‘Not Today’ was meditative. Being a millennial in 2022 can be tough. Many things are rising – covid case numbers, cost of…
Independent Reviews
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‘Love Don’t Cost a King’ was amorous. As the end of the 2022 Melbourne International Comedy Festival steadily draws near, audiences are…
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‘Casting Off’ was intergenerational. A Good Catch, in conjunction with CIRCFest Meanjin and Cluster Arts have presented an oddly fulfilling acrobatic piece,…
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‘BRED’ was proverbial. In conjunction with CIRCFest Meanjin and ClusterArts, Briefs Factory International delivered a sincere and deeply human performance titled ‘BRED’…
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‘Drown ‘Em Out’ was idiosyncratic. The old idiom goes, ‘there’s a fine line between comedy and tragedy.’ That’s why we often reflect…
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‘Leaves of Glass’ was haunting. Kicking off their 2022 season, The X Collective produces a captivating piece of psychological theatre through their…
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‘Beige Bitch’ was monochromatic. It takes great skill to create genuine comedy from self-deprivation. Finding a good balance between painful truth and…
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‘Rabbit Hole’ was intimate. Ad Astra has opened the doors of their hole-in-the-wall theatre to welcome audiences to ‘Rabbit Hole’. Written by…
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‘PASH’ was love(ly), actually. Every autumn, laughter can be heard resonating throughout Melbourne. The city’s International Comedy Festival is heralded as a…
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‘F*cking Ancient’ was self-actualising. Over the past few years, we as a society have gravitated towards virtual interaction. Whether it be attending…