‘GODZ’ was arresting.
‘GODZ’ from Head First Acrobats is playing at Wynnum Fringe after being a hit at the Adelaide Fringe, Melbourne Fringe and Perth Fringe. ‘GODZ’ has arrived in Brisbane bringing their mixture of storytelling, circus and physical theatre to Wynnum, and poking fun at organised religion and hetero-normative masculinity along the way.
‘First Casualty’ was potent.
Artistic Director Lee Lewis leads an emboldened and dexterous cast in ‘First Casualty’. The actors portray the diverse, dedicated and disheartened serving soldiers, who fuse as a pack to tell Christopher Johnston’s harrowing stories from his memories as a soldier in Iraq and Afghanistan.
‘Adrift’ was intricate.
‘Adrift’ from Counterpilot was a compelling, intricate, and technological piece; a mechanically-immense and impressive work.
‘Islander: A New Musical’ was Fisherfolk-tastic. Audiences will be enchanted by the modern Scottish folktale that is ‘Islander: A New Musical’, a story impressively told through the voices of actors who record and mix their songs using looping technology – live on stage.
‘Grease’ was slick.
Spotlight Theatrical Company is keen to let everyone know that ‘Grease’ is the word in their bold, new interpretation of the classic hit musical!
‘The Mousetrap’ was iconic.
In a world where musicals dominate much of our stage time, ‘The Mousetrap’ really holds its own, solidifying why it’s one of the longest-running plays in history.
‘Death in a Statesman’ was beguiling.
With a robust cast and highly stylised staging, the creative forces at debase have created a remarkable production.
‘Macbeth’ was bold.
With a strong aesthetic component and dedication to the language, QSE’s first staging of ‘Macbeth’ was a spirited success.
‘Phantom of the Opera’ was breathtaking.
Performing to a sold out season before they had even opened, it’s community theatre like you’ve never seen before.
‘Buyer & Cellar’ was aspirational.
Imagine meeting your hero in real life – and then imagine it not being all it’s cracked up to be…