‘Come To Where I Am – Australia’ // Critical Stages
‘Come To Where I Am – Australia’ was comforting. What does it mean to call a place home? And how have our relationships with ‘home’…
‘Come To Where I Am – Australia’ was comforting. What does it mean to call a place home? And how have our relationships with ‘home’…
‘Lord Mayor’s City Hall Concerts’ was a celebration. In a time where theatre’s around the world are shutting down and leaving artists and audiences alike…
‘A Curious Arcade’ was curious. Imaginary Theatre’s latest weird and wonderful project takes the form of seemingly old fashioned contraptions filled with stories that twist…
‘Arc’ was enthralling. It was a beautiful (if not slightly overcast) afternoon to be outdoors in South Bank and experience Australasian Dance Collective’s world premiere…
‘Red’ was colourful. Two artists talking about the relationship between art and commerce for 90 minutes might not sound like captivating theatre but when that…
‘Lord of the Flies’ was haunting. Originally intended to be performed last year, Redcliffe Musical Theatre’s ‘Lord of the Flies’ perfectly encapsulates 2020’s feelings of…
‘How To Spell Love’ was visceral. A collection of intensely personal stories on what it’s like to grow up in Queensland as a black person…
‘One Bottle Later’ was intoxicating. In the age of COVID, the way in which we connect has fundamentally changed. Before, we had coffee dates with…
‘All Shook Up’ was rockin’. Shaking their tail feathers to the beats of Elvis Presley, Brisbane Academy of Musical Theatre have rocked the stage with…
‘Macbeth in the Dark’ was eerie. ‘Embrace the Dark’ was the recommended guide to listening to Queensland Shakespeare Ensemble’s ‘Macbeth in the Dark’; a radio…
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