Professional Reviews

‘The Call & The Human Voice’ was soulful.

Opera Queensland has produced a cutting-edge performance that challenges what audiences think opera can be and gives a momentous opportunity for stories of true humanity to be told on a grand scale.

‘Tiddas’ was Jacaranda.

La Boite Theatre, QPAC and Brisbane Festival’s latest production of ‘Tiddas’, in some ways, is a theatrical embodiment of a Welcome to Country.

‘Girl From The North Country’ was poetic.

Reminiscent in style and feel of the family dramas of Arthur Miller, John Steinbeck, Eugene O’Neill and Tennessee Williams, Conor McPherson’s ‘Girl from the North Country’ is a beautifully written story told with heart.

‘Cirque O L I O’ was mesmerising. Every artist was at the top of their game throughout the evening’s performance… each one delighted, surprised and excited the child inside.

‘Holding Achilles’ was transformative.

QPAC’s Playhouse stage was transported into the grandiose mythical world of ‘The Illiad’ for Dead Puppet Society and Legs On The Wall’s ‘Holding Achilles’. 

‘Maho Magic Bar’ was a hustle. Brisbane Festival’s latest attraction, ‘Maho Magic Bar’, wowed audiences with its neon-lit, Yantai-vibed location of Twilight…

Review: With an epic soundtrack that perfectly captures the essence of queer Queensland in decades past, ‘Fourteen’ presented some raw and truthful elements of the gay experience.

‘COMA’ and ‘Eulogy’ were other-worldly. In an empty building lot in the middle of Melbourne’s Chinatown, Darkfield Australia has set up camp,…

Review: There was an air of attempt at Opera Australia and John Frost’s latest production of Rodgers and Hammerstein’s ‘Cinderella’; an attempt at shifting gears and reimagining.

‘Wannabe: The Spice Girls Show’ was zig-a-zig-ah-mazing. Hai, si, ja, hold tight! Or at least hold onto your knickers, the ultimate Spice…