‘Holding Achilles’ was transformative.
QPAC’s Playhouse stage was transported into the grandiose mythical world of ‘The Illiad’ for Dead Puppet Society and Legs On The Wall’s ‘Holding Achilles’.
‘Holding Achilles’ was transformative.
QPAC’s Playhouse stage was transported into the grandiose mythical world of ‘The Illiad’ for Dead Puppet Society and Legs On The Wall’s ‘Holding Achilles’.
‘Maho Magic Bar’ was a hustle. Brisbane Festival’s latest attraction, ‘Maho Magic Bar’, wowed audiences with its neon-lit, Yantai-vibed location of Twilight…
Review: With an epic soundtrack that perfectly captures the essence of queer Queensland in decades past, ‘Fourteen’ presented some raw and truthful elements of the gay experience.
‘COMA’ and ‘Eulogy’ were other-worldly. In an empty building lot in the middle of Melbourne’s Chinatown, Darkfield Australia has set up camp,…
Review: There was an air of attempt at Opera Australia and John Frost’s latest production of Rodgers and Hammerstein’s ‘Cinderella’; an attempt at shifting gears and reimagining.
‘Wannabe: The Spice Girls Show’ was zig-a-zig-ah-mazing. Hai, si, ja, hold tight! Or at least hold onto your knickers, the ultimate Spice…
‘Blanc de Blanc Encore’ was magnifique. Strut and Fret, in association with Brisbane Festival, return to Meanjin with their smash hit show…
‘An Ideal Husband’ was vivacious. What do a rubber John Howard mask and Oscar Wilde have in common? On the surface, not…
‘The Naked Magicians’ was revealing. The Tivoli is synonymous with bringing some of the world’s raunchiest cabarets and fiery burlesque shows to…
‘Skyfall: The Music of James Bond’ was killer. While a dry martini might not tickle everyone’s tastebuds, ‘Skyfall: The Music of James…