‘The Father’ // Moreton Bay Theatre Company
‘The Father’ was unforgettable. There is a common thread woven throughout the contemporary plays that have emerged from France in the twenty-first century. Upon stages…
Bradley Chatfield joins EDC Board
Respected arts administrator, educator and performer, Bradley Chatfield, has joined the Expressions Dance Company (EDC) board. With more than 30 years as a dancer, maker…
‘Hair’ // Peace Productions Pty Ltd
‘Hair’ was raw. Fifty years after the original Australian production of ‘Hair: The American Tribal Love-Rock Musical’, audiences flocked to the Outdoor Stage of the…
Theatre: Place or Genre?
Whether we experience theatre as a physical place or a genre of performing arts, a space for creative development or a community of collaboration, it …
‘X-Stacy’ // Mira Ball Productions and Trent Sellars
‘X-Stacy’ was X-ceptional. ‘X-Stacy’, the play many drama students’ study in high school, yet is so rarely performed outside of a school setting, truly is…
Audition Wardrobe: 5 Tips to Dress for Success
Dressing for success at auditions isn't just about looking good - it's about feeling confident, professional, and comfortable.
‘Straight’ // Nash Theatre
‘Straight’ was vanilla. In alignment with the final night of Brisbane Pride, Nash Theatre presented Scott Elmegreen and Drew Fornarola’s intriguing play ‘Straight’ at the…
‘Flashdance’ // Prima Org
‘Flashdance’ was flashy. There is no way to say this lightly: the script for ‘Flashdance’ is bad. The billing for this show lists Tom Hedley…
‘The Boy From Oz’ // Savoyards Musical Theatre
‘The Boy From Oz’ was colourful. With such an iconic Australian personality at the centre of the show, Savoyards Musical Theatre had a massive feat…
‘Sounds From the Deep’ // Queensland Symphony Orchestra
‘Sounds From the Deep’ was evocative. At the ‘Home of the Arts’ (HOTA) on the beautiful Gold Coast on a peaceful Friday evening, the Queensland…