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This educational and empowering show aims to raise awareness about the incurable pain condition that affects one in nine people.

It’s Spiderman Day and we can’t help but remember “Spider-Man: Turn Off the Dark”, a perfect example of how a highly anticipated production can fail to meet expectations. Despite its talented cast, impressive visual effects, and popular source material, the show was ultimately unable to overcome its numerous issues. Let’s explore:

‘Brisbane Improv Festival’ was amusing.

Brisbane Improv Festival and Big Fork Theatre continue to impress and delight, highlighting the dedicated performers in the local improv scene.

‘Monty Python’s Spamalot’ was hysterical.

Watching the show, one would not know that this was a community theatre production. Between remarkable comedy, outstanding acting, extravagant choreography and beautiful costumes, The Spotlight Theatre Company’s rendition of ‘Monty Python’s SPAMALOT’ was incredibly entertaining to watch, and a perfect way to spend a Friday night.

‘Chameleon’ was colourful.

Finding your voice can be tricky. Knowing how to use it can be even harder. But for Stewart Reeve, finding his voice was easy – he simply uses others’. After several months touring regional Australia, he returns to Melbourne with his critically-acclaimed one-man musical odyssey, ‘Chameleon’.

Kate Miller-Heidke and Keir Nuttall are thrilled to present a brand-new Australian musical and praised Brisbane Festival’s vision for fostering original works. “BANANALAND” promises to be a rollicking and heartwarming musical comedy, celebrating the absurdity of chasing impossible dreams and the joy of live performances.

Brisbane, get ready to embark on a journey of laughter and merriment as Paterson Productions brings the uproarious spectacle of Monty Python’s Spamalot to the Twelfth Night Theatre in Bowen Hills this November.

‘Top Girls’ was multifaceted.

The price of being a successful career woman is layered with sacrifice. Ad Astra’s latest production explores this in staging Caryl Churchill’s highly revered 1982 play ‘Top Girls’.

‘NO EXIT’ was captivating.

‘NO EXIT’ serves as a reflection on the consequences of our actions and the torment we endure in our relationships with others. Serving as Stage Fright Productions first production, Brittany Taylor Hetherington has made a triumphant first step.

‘Beginning’ was awkward-licious.

David Eldrige’s ‘Beginning’ delighted PIP Theatre’s audience with its story of Laura and Danny, awkwardly navigating their expectations and desires in the after-party early morning hours.