Independent Reviews

‘The Golden Cage’ was timely.

With book, music and lyrics by Grammy-nominated Deborah Henson-Conant, The Golden Cage is a magical trip through an original and modern fairytale that simultaneously feels familiar and new.

‘Perfect World’ was irreverent.

At times, the state of the world can feel like a satire that is writing itself. Theatreroo parodies these political and social farces and takes us on a journey back to September 11, and its ensuing political turmoil.

‘Venus in Fur’ was captivating.

‘Venus in Fur’ is a must-see production for anyone interested in exploring the complexities of power dynamics, in discovering impressive new talent, and also anyone keen to have a great night out at the theatre.

‘Lemons Lemons Lemons Lemons Lemons’ was tender.

How would you communicate if you could only say 140 words in a day? ‘Lemons Lemons Lemons Lemons Lemons’ imagines a world where we’re forced to say less and, therefore, pay more attention to what we say…

‘ROAR’ was a knockout.

After a captivating debut at last year’s Melbourne International Comedy Festival, comedienne Lisa Sharpe is back for Round 2 with ‘ROAR’. Progressing from self-referential storytelling to a highlight reel of her dearest and dearest, Sharpe’s comedic evolution attests that she is nowhere near the ropes yet.

‘The Briefing’ was (#fake) newsworthy.

The old saying goes, ‘comedy is subjective’. What one person finds hilarious; another may barely crack a smile. However, comedy also has the ability to transcend time, people, and places.

‘I Love You, Bro’ is chilling.

From one shocking lie, adorned identity or unbelievable turn of events to the next, the production’s pace, energy and unnerving intimacy keep the audience on the edge of their seats.

‘The Adventures of Peter Rabbit’ was impressive.

Tucked away in Seven Hills, the Ron Hurley Theatre came alive this week with Small Crown Productions’ school holiday performances of The Adventures of Peter Rabbit.

‘Nineteen’ was confronting.

This production is not for the faint hearted, but it tells a necessary and much needed story. It gives us an insight into the growth of men.

‘Case Numbers’ was layered.

Part comedy show, part fictitious true story, and an entire conceptual performance, ‘Case Numbers’ skilfully merges elements to create a refreshingly unique theatrical experience.