‘Vincent River’ was uncensored. The director’s notes for ‘Vincent River’ say that the play is “very, very real”, which not only is…
Category:
Independent Reviews
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Independent ReviewsReviews
‘Come To Where I Am – Australia’ // Critical Stages
by Erika Tuckerby Erika Tucker‘Come To Where I Am – Australia’ was comforting. What does it mean to call a place home? And how have our…
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‘Red’ was colourful. Two artists talking about the relationship between art and commerce for 90 minutes might not sound like captivating theatre…
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Independent ReviewsReviews
‘How To Spell Love’ // Metro Arts and Brisbane Festival
by Erika Tuckerby Erika Tucker‘How To Spell Love’ was visceral. A collection of intensely personal stories on what it’s like to grow up in Queensland as…
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Independent ReviewsReviews
‘Macbeth in the Dark’ // Queensland Shakespeare Ensemble
by Fotini Boxby Fotini Box‘Macbeth in the Dark’ was eerie. ‘Embrace the Dark’ was the recommended guide to listening to Queensland Shakespeare Ensemble’s ‘Macbeth in the…
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‘God of Carnage’ was chaotic. Life has many moments – some joyous, some brutal, and others downright uncomfortable. In Ad Astra’s latest…
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‘Homicide in Hollywood’ was engaging. Murder Mysteries have always held a fascination for audiences and, back in the 1980s, home-hosted murder mystery…
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Independent ReviewsReviews
‘Double’ // Realscape Productions and Darkfield Australia
by Elodie Boalby Elodie Boal‘Double’ was metaphysical. Sending paranoia through any willing participant, ‘Double’ is the at-home thriller that invites you into the story and sets…
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‘Valium &’ was pleasantly distracting. With the COVID-19 ban on gatherings of over 100 people, and the impending demise of live performance…
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Independent ReviewsReviews
‘Tick, Tick… Boom!’ // THAT Production Company
by Sean Faganby Sean Fagan‘Tick, Tick… Boom!’ was electrifying. ‘Tick, Tick… Boom!’ was presented at the consummate and well equipped Crete Street Theatre. THAT Production Company…