‘The Oil Machine’ // ACMI, Docplay & EFFA
‘The Oil Machine’ was attention-grabbing.
Most people would assume that horror is the scariest genre of film. Films can be made to appear scary t…
Category: Reviews
‘Golda’ // Embankment Films
‘Golda’ was routine.
‘Golda’ proves that facts alone do not make a good drama. Facts can enhance character or provide a basis for a story. Bu…
‘Comedy Roulette!’ // Melbourne International Comedy Festival & Spin That Wheel!
'Comedy Roulette' was risky.
‘Comedy Roulette’ is being presented as part of the Melbourne International Comedy Festival, in the Music Room at Tr…
‘Murder Village: An Improvised Whodunnit’ // Melbourne International Comedy Festival & David Massingham
Murder Village: An Improvised Whodunnit’ was fabulous.
Everybody loves a good murder whodunnit. What’s a mystery without a detail oriented detec…
‘Motorboat’ // Melbourne International Comedy Festival & Mel McGlensey
‘Motorboat’ takes on an all-encompassing ride of boat self-discovery mixed with an enormous amount of comedy, silliness, and nautical naughtines…
‘Still Dry White’ // Nick Schuller
‘Still Dry White’ was deadpan.
Schuller’s deadpan ability to mock the world around him is something special, don’t give this one a miss.
‘I Love Money’ // Melbourne International Comedy Festival & Jett Bond
‘I Love Money’ was eccentric. Introducing Jett… Jett Bond. The absurdly eccentric and funny clown with a love for all things money. Performing at The…
‘Hot White Kiss’ // James WF Roberts
‘Hot White Kiss’ was provocative. There is controversial and there is James Roberts’ Hot White Kiss. Condensed from a longer work originally produced for Cracked…
‘Big Yikes!’ // PlayLab Theatre
‘Big Yikes!’ was witty.
Much like its main protagonist 'Big Yikes!' is fresh out into the big world with its debut season of Madeleine Border�…
‘Wicked Little Letters’ // Film4 and StudioCanal
‘Wicked Little Letters’ was brazen.
The old saying goes, “the pen is mightier than the sword”. In the case of Thea Sharrock’s ‘Wicked L…
