‘Betwixt’ was captivating.
Betwixt, from emerging street-dance collective Pink Matter, combines contemporary dance with spoken word for a powerful and accessible evening of performance.
-
-
‘Blush’ was raucous.
Presented in QPAC’s Cremorne Theatre, ‘BLUSH’ is a sexy and flirtatious circus cabaret by Highwire Circus.
-
‘It’s Called Achilles’ was joyous.
The intimacy of the work was its greatest success. Dance, physical theatre and circus often occur at a distance – with an established spatial gap between performers and audience. ‘It’s Called Achilles’ flipped that expectation, with the performer dancing within hands reach – you could see the sweat and exhaustion, you could hear their breath.
-
‘Lesbian Love Stories: Volume 2’ was hilarious.
An enjoyable experience mixing potent queer storytelling with comedy and songs made for a thrilling evening of cabaret and reminded me of the importance of queer storytelling and queer arts.
-
‘GODZ’ was arresting.
‘GODZ’ from Head First Acrobats is playing at Wynnum Fringe after being a hit at the Adelaide Fringe, Melbourne Fringe and Perth Fringe. ‘GODZ’ has arrived in Brisbane bringing their mixture of storytelling, circus and physical theatre to Wynnum, and poking fun at organised religion and hetero-normative masculinity along the way.
-
‘Adrift’ was intricate.
‘Adrift’ from Counterpilot was a compelling, intricate, and technological piece; a mechanically-immense and impressive work.